We are pleased to announce that Victoria Febrer, MFA 2016, received The K. Patricia Cross Future Leaders Award from the American Association of Colleges and Universities. She is the first MFA to ever be chosen. Congratulations, Victoria!
The K. Patricia Cross Future Leaders Award recognizes graduate students who show exemplary promise as future leaders of higher education; who demonstrate a commitment to developing academic and civic responsibility in themselves and others; and whose work reflects a strong emphasis on teaching and learning.
Andrew Wasserman, ARH PhD 2013, wins prestigious Arts Writers book prize for 2014.
Bang! We’re All Dead! The Places of Nuclear Fear in 1980s America will investigate public art in American cities born of a culture of nuclear fear between 1979 and 1991, when artists such as Michael Mazur, Tom Herzberg, Alan Gussow, George Nakashima, and Ed Eisenberg responded to the compromised personal security brought about by nuclear weaponry and nuclear energy. Across five case studies, this manuscript will move between the gallery and the street, the bomb and the reactor, and the home front and the global military theater. Contextualized by Cold War anxieties, atomic end-of-the-world fantasies, Reagan-era defense spending increases, and public health concerns, this archival study will recuperate the works of overlooked artists as central to an understudied facet of contemporary American experience.
Andrew Wasserman is an assistant professor of art and architectural history at Louisiana Tech University. His research considers an expanded class of contemporary public art in American cities, examining place-making practices by artists and institutions. He is currently completing a manuscript examining cartographic public art projects in Manhattan from 1960 to the present. His writing has appeared in Public Art Dialogue, PUBLIC, the Journal of Curatorial Studies, and Theorizing Visual Culture: Writing Through the Discipline (Routledge, 2012).
Date & Time:
Monday September 15, 2014 at 1:00 p.m.
The Artist Talk is in conjunction with the exhibition Kate Gilmore: Top Drawer at the Paul W. Zuccaire Gallery, Staller Center for the Arts, on view from Sept 6 – Oct 18, 2014. In addition to the Artist Talk, please join us for a Reception and Performance on Saturday, September 27, 6-8pm.
Kate Gilmore’s video, sculpture, performance and installation work is shown internationally, including the Whitney Biennial, MoMA PS1, J. Paul Getty Museum, and in London, Madrid, and Turin. Her work is in the collection of the Museum of Modern Art, Brooklyn Museum, Museum of Contemporary Art, Chicago and San Francisco Museum of Modern Art. Gilmore holds an MFA from the School of Visual Arts and is Associate Professor of Art and Design at SUNY Purchase College.
The Artist Talk is generously sponsored by the Staller Center for the Arts and is free and open to the public.
Andrew V. Uroskie, Associate Professor and Director of the MA/PhD in Art History, Criticism and Theory, at the book release party for “Between the Black Box and the White Cube: Expanded Cinema and Postwar Art” (University of Chicago Press, 2014) at the College Art Association Annual Conference in Chicago. Art Libraries Review
Residency at Watch Hill, Fire Island National Sea Shore
May 24 – June 10, 2014
“I will continue to explore Watch Hill at the Fire Island National Sea Shore during this residency. My work will investigate the shipwreck of the Bessie A. White. I will continue a series of mixed media work that extends from my short stay at Watch Hill last summer. During that time, I started some drawings that used the shipwreck as a reference. The Bessie A. White sunk in 1919-1920 and was subsequently buried by the dunes. When Hurricane Sandy hit Fire Island in October of 2012, it exposed the ruins of the ship. Newspaper photographs from November of 2012 show that the shipwreck was completely exposed, however by the time I visited in June of 2013, a significant portion of the ship was buried again. The ability of the dunes to quickly migrate and cover what is around them will be the inspiration for this new body of work.”
MFA Final Critiques | Saturday, May 17th, 2014 | 10am – 4pm
The Department of Art at Stony Brook University Studio Art MFA invites guest critic Boshko Boskovic.
Boshko Boskovic is the Program Director of Residency Unlimited, a New York based residency program for international artists and curators. He curated numerous exhibitions such as Videozones 2012 at Interstate Projects, New York, Paint Me Sculpturly 2013, Artopia Gallery, Milan, Italy, Sara Bichao & Manon Harrois – Soundless Harmonies 2014, Artopia Gallery, Milan, Ellie Krakow – Bring the Lights Into the Shot 2013, Cuchifritos Gallery & Project Space, New York. Boskovic previously worked at the Felix Gonzalez-Torres Foundation managing the European retrospective Specific Objects Without Specific Form 2009-2010, an exhibition that traveled to the Wiels Contemporary Art Center in Brussels, The Beyeler Foundation in Basel and the Museum of Modern Art in Frankfurt. During his tenure as Associate Director at the Sean Kelly Gallery in New York he worked closely with artists such as Los Carpinteros, Ilya & Emilia Kabakov and Johan Grimonprez.
MFA Final Critiques
At the end of each academic year the MFA candidates and Art Faculty meet for critiques at the artists’ studio spaces located in Nassau Hall, south campus, Stony Brook University. Accompanied by Adjunct Faculty, select Art History Faculty and peers, and invited Guest Critics, these sessions are an intensive day of presentations and critical discussions.
Keith Miller’s latest film grew out of his 2011 short, “Gang Bangin’ 101.” In that two-minute doc, James “Primo” Grant – a burly, bearded Brooklyn native who works as a bouncer at a Bed-Stuy nightclub – spoke frankly about joining the East New York Bloods when he was 12 and eventually becoming a five-star general in what he calls the “brotherhood.”
(excerpt from bedfordandbowery.com)
More info: LINK
PhD student curates prominent exhibit on “Folk Couture: Fashion and Folk Art”
Alexis Carreño grew up in Chile. While many kids his age spent their time kicking around soccer balls Alexis got his kicks in a decidedly different way — by sketching dresses.
Alexis’s fascination with the world of design at an early age eventually led him to enroll in the Universidad de Chile, where he earned an MFA studying painting, contemporary art and gender studies. Read More…
SBU Career Center awarded Stephen a cash prize for his internship service at the Whitney Museum.
Stephen was one of three graduate students selected for this award. His supervisors at the Whitney praised Stephen’s work “tracking exhibition submissions and artists proposals” and assisting the chief curator’s office. Beyond his day-to-day responsibilities, Whitney staff noted his navigate unanticipated projects and deadlines.
Stony Brook University alumna Alexandra Iosub, ’11, is one of 20 scholars nationwide to receive a graduate arts award from the Jack Kent Cooke Foundation, which she will use toward academic expenses as she begins her master’s degree in fine arts at Penn State this fall.
Zabet Patterson, Assistant Professor of Art History & Criticism, and Assistant Professor in the Consortium for Digital Art, Culture and Technology, has won the prestigious 2012 Warhol Foundation | Creative Capital Arts Writers Grant for her new book project.
Visionary Machines: USCO, Techno-Utopia and Technocracy will be the first book to provide a historical and theoretical account of USCO, a group of poets, filmmakers, artists, and engineers who lived and worked as an artists’ collective from 1963 to 1966. USCO participated in a counterculture that straddled the Beats and the Hippies and intersected with figures from Silicon Valley, academia, and the art world, including Marshall McLuhan, Timothy Leary, Andy Warhol, Allen Ginsberg, Carolee Schneeman, John Cage, and Robert Rauschenberg. Widely influential during the 1960s, USCO was essentially lost to history because their work doesn’t fit into many of the traditional cultural and artistic narratives of the period. Nevertheless, USCO’s story offers a unique insight into the problems and possibilities of advanced computational technology, at a point when the world was shifting from the mechanical to the cybernetic age. Patterson will argue that USCO interrogated information technology without slipping into either melancholic fatalism or uncritical techno-utopianism. Instead, they created fictional worlds that fused scientific innovation with mystical exploration, while grappling with the rough work of building community.Zabet Patterson is assistant professor in the Department of Art at Stony Brook University, where she specializes in the intersection of contemporary art and computational media in the postwar period. Her recent articles include “Cybernetic Cinema: From the Gun Controller to the Mandala” in Grey Room and “POEMFIELDs and the Materiality of the Computational Screen” in Animation. She has presented on modern and contemporary art and computational media at symposia in Istanbul, London, Florence, Vancouver, Tokyo, and the United States, and has curated exhibitions on sound art and locative media. She received her PhD from the University of California, Berkeley in 2007.