Lecture Series: Mary Kelly: Projects: 1973-2010

The graduate students of the Department of Art History & Criticism at Stony Brook University are pleased to announce the 2013-2014 Art History & Criticism Lecture Series. The series is intended to foster dialogue and develop camaraderie across institutions, and to provide insight into critical works and practices.

Friday, 6:30 p.m. October 25, 2013
Mary Kelly: Projects: 1973-2010.

Mary Kelly will explore the questions of sexuality, identity and historical memory that have prompted her project-based work for over four decades. She will consider how these questions are shaped by a debate-specific site and why her narrative installations rely not only on the story unfolding between words and objects, but also on the viewer’s experience of space.

Admission:
Free and open to the public

Date:
Friday, 6:30 p.m. October 25, 2013

Place:
Stony Brook Manhattan
101 East 27th Street, 3rd Floor,
New York, NY 10016

Direction:
Please visit this link: SBU Manhattan / directions

(Photo: Mary Kelly, Documenta 12, Kassel, 2007)

Archive Link -> http://art.stonybrook.edu/lecture-series/#2013-2014

 

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Assistant Professor, Zabet Patterson has won the prestigious 2012 Warhol Foundation Arts Writers Grant for New Book

Zabet Patterson, Assistant Professor of Art History & Criticism, and Assistant Professor in the Consortium for Digital Art, Culture and Technology, has won the prestigious 2012 Warhol Foundation | Creative Capital Arts Writers Grant for her new book project.

Visionary Machines: USCO, Techno-Utopia and Technocracy will be the first book to provide a historical and theoretical account of USCO, a group of poets, filmmakers, artists, and engineers who lived and worked as an artists’ collective from 1963 to 1966. USCO participated in a counterculture that straddled the Beats and the Hippies and intersected with figures from Silicon Valley, academia, and the art world, including Marshall McLuhan, Timothy Leary, Andy Warhol, Allen Ginsberg, Carolee Schneeman, John Cage, and Robert Rauschenberg. Widely influential during the 1960s, USCO was essentially lost to history because their work doesn’t fit into many of the traditional cultural and artistic narratives of the period. Nevertheless, USCO’s story offers a unique insight into the problems and possibilities of advanced computational technology, at a point when the world was shifting from the mechanical to the cybernetic age. Patterson will argue that USCO interrogated information technology without slipping into either melancholic fatalism or uncritical techno-utopianism. Instead, they created fictional worlds that fused scientific innovation with mystical exploration, while grappling with the rough work of building community.Zabet Patterson is assistant professor in the Department of Art at Stony Brook University, where she specializes in the intersection of contemporary art and computational media in the postwar period. Her recent articles include “Cybernetic Cinema: From the Gun Controller to the Mandala” in Grey Room and “POEMFIELDs and the Materiality of the Computational Screen” in Animation. She has presented on modern and contemporary art and computational media at symposia in Istanbul, London, Florence, Vancouver, Tokyo, and the United States, and has curated exhibitions on sound art and locative media. She received her PhD from the University of California, Berkeley in 2007.
http://artswriters.org/index.php?action=grantee_detail&grantee_id=153&year=2012

Harry J. Weil, Art History Phd Candidate, Wins prestigious 2012 Warhol Foundation Arts Writers Grant for Short-Form Writing

Harry J. Weil

(Short-Form Writing)

Harry J. Weil’s writing focuses on histories of performance and new media art practices. He will explore these topics within the regional context of the tri-state area, especially the Hudson River Valley, where contemporary artists have increasingly taken refuge to avoid New York City’s soaring costs of living and studio space. Tucked away in non-urban sites, these artists have maintained vibrant but underexplored, localized practices of art making.

Harry J. Weil has contributed reviews and interviews to Art Journal, ArtPapers, artUS, andAfterimage, and published on contemporary artists such Ryan McNamara, Kate Gilmore, Laurel Nakadate and Alexej Meschtschanow. He is currently a PhD candidate in Art History and Criticism at Stony Brook University, where his dissertation, Reperformance: Recreating and Reinterpreting Performance Art’s History, examines the historical and theoretical constructions of reperformance’s relationship to the reproductive capabilities of print media, photography, and film, as they developed in the second half of the twentieth century. He lectures on modern and contemporary art at William Paterson University and Ithaca College.

Arts Writers Grant Program announces 2012 grants The Creative Capital | Warhol Foundation Arts Writers Grant Program is pleased to announce the recipients of its 2012 grants. Designed to encourage and reward writing about contemporary art that is rigorous, passionate, eloquent and precise, as well as to create a broader audience for arts writing, the program aims to strengthen the field as a whole and to ensure that critical writing remains a valued mode of engaging the visual arts.In its 2012 cycle, the Arts Writers Grant Program has awarded a total of 623,500 USD to twenty-one writers. Ranging from 8,000 USD to 50,000 USD in four categories—articles, blogs, books and short-form writing—these grants support projects addressing both general and specialized art audiences, from scholarly studies to self-published blogs.

Humanities Institute Event


Adam Lowenstein, Spaces of Violence: History, Horror, and the Cinema of Kiyoshi Kurosawa.

Tuesday, November 20, 2012, 4:30 p.m., Humanities 1008
This event is co-sponsored by the Charles B. Wang Center.