Lecture Lev Manovich

Friday, October 30, 7:00pm
Lev Manovich, Instagram as a Medium and Message: Art History Meets Data Science

Please join us on Friday, October 30th, for the first installment of 2015-2016 Stony Brook Art History & Criticism Lecture Series. We are pleased to announce that Lev Manovich will be discussing his latest project SELFIECITY, a data science investigation of self-portraiture in five cities around the world. This lecture is free and open to the public, with a brief reception of wine and cheese to follow. For more information on SELFIECITY you can visit the project’s website: http://selfiecity.net. We hope to see you there!

Admission:
Free and open to the public

Date:
Friday, 7:00 p.m. October 30, 2015

Place:
Stony Brook Manhattan
101 East 27th Street, 3rd Floor,
New York, NY 10016

Direction:
Please visit this link: SBU Manhattan / directions

Archive Link -> http://art.stonybrook.edu/lecture-series/

 

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MFA OPEN STUDIOS: October 29th, 5-10PM

FREE admission

Location:
MFA STUDIOS
STONY BROOK UNIVERSITY
NASSAU HALL,
MARBURGER DRIVE,
SOUTH CAMPUS, NY 11794

Information:
To find the campus via GPS, enter the address “100 Nicolls Road, Stony Brook, NY 11790”. From Nicolls Road take the South Entrance and follow the signs for the MFA studios.

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Research on Robert Barry’s conceptual art by PhD student Sandrine Canac

Doctoral student Sandrine Canac has spent the last year as a Critical Studies Fellow at the Whitney Independent Study Program (ISP), and will be presenting her dissertation research on Robert Barry’s conceptual art of the 1960s and 70s this Friday for their annual Critical Studies Symposium. Her panel is being moderated by Benjamin Buchloh of Harvard, and Robert Barry himself will be in attendance.

Admission is free, simply register at the Guest Services Desk.
The Program: http://bit.ly/1IAKDGk

Paul Chan, Odysseus as Artist

Friday, October 17, 7:00pm
Paul Chan, Odysseus as Artist

In this lecture, artist and founder of the publisher Badlands Unlimited Paul Chan explores the following: that moment, elation, “echo reconciles,” Adorno, form, “fatefulness,” the Odyssey, Calypso, cave, Odysseus, contemporary art, homesickness, zones of engagement, Ithaca, luxury, alienation, the Iliad, force, gravity, cunning, polutropos, Athena, sophia, honor, themis, aristoi, Hesiod, aidos, glory, demos, bow and arrow, harbinger, reason, Athenian democracy, and art as cunning. Chan’s book, Paul Chan: Selected Writings 2000–2014, was recently published in conjunction with his exhibition Selected Works at Schaulager in Basel, Switzerland (April 11–October 19, 2014).

Admission:
Free and open to the public

Date:
Friday, 7:00 p.m. October 17, 2014

Place:
Stony Brook Manhattan
101 East 27th Street, 3rd Floor,
New York, NY 10016

Direction:
Please visit this link: SBU Manhattan / directions

(Image Credit: Paul Chan, Sade for Sade’s Sake, 2009, Digital video projection, 5 hours, 45minutes looped. Installation view, Paul Chan – Selected Works, Schaulager, Basel, 2014. Courtesy of the artist and Greene Naftali Gallery. ©Paul Chan)

Archive Link -> http://art.stonybrook.edu/lecture-series/

 

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